
Next week, the Trinity of Sound project, curated by Italian flutist Marco Baragli, will premiere at Sala Baldini in Rome on October 23rd at 7:00 PM. Italian painter Conchita De Palma and Franco-Swiss painter Véronique Gray will contribute their visual interpretations, with Conchita’s paintings projected on screen throughout the one-hour concert. This presentation allows the audience to experience a direct dialogue between music and imagery, where colors and forms respond to emotion and rhythm.

What does it mean to you to be part of Trinity of Sound?
It is a great honor. Maestro Marco Baragli’s presentation of the project and my understanding of its essence deeply moved me. For me, the union of image and sound means exploring and communicating a universal, spiritual language—creating an immersive, multisensory experience. Colors, like forms, resonate directly with the soul; we can hear visual harmonies and see sounds in their infinite variations. Collaborating with such accomplished artists is truly exciting.
How do your paintings interact with the music during the concert?

My paintings will be shown on screen during the performance, allowing each image to unfold alongside the music. The visual experience is not separate but intertwined with the sound; the colors, forms, and tonalities of each work respond to the emotion of the music, creating a dialogue that the audience can feel intuitively. Each painting becomes part of a visual symphony, echoing the rhythm, harmony, and emotional depth of the compositions.
Why is symbolism so important in your work?
Symbolism has always been essential. My vision of the world through images is expressed in color and composition, which explore without describing—through suggestion, evocation, dream, inner life, and spirituality. This allows me to express deeper meanings, creating correspondences between symbolic visual elements and emotion.
How do you translate music into colors and form?

There is no rational, direct translation. Great masters like Kandinsky and Klee explored this mystery. For me, it happens when sound touches the soul; at that moment, forms and colors emerge naturally, creating a visual symphony—a true alchemy beyond words.
What do you hope the audience will feel?
I hope each person experiences a direct connection between the inner sound of a form, of a color, of the music, and their own soul. That encounter can awaken emotions otherwise unreachable—and that would be wonderful.

Born in Bari, Italy, Conchita De Palma lives and works in Pescara, where she practices as a pediatrician. Her artistic journey began in 2005 through art therapy, leading to a deep exploration of materials such as epoxy resins and paper. Since 2009, she has been part of the Movimento del Guardare Creativo in Chieti and has exhibited widely in Italy and abroad, including Mantua, Paris, Berlin, and Florence. She has received numerous awards, including the Critics’ Prize at the Premio delle Arti, Premio della Cultura (Milan, 2023), the Painting Prize at the Premium International Florence Seven Stars (2024), and the Twelve Stars of Europe Award for Art (Florence, 2025).
Read here about the interpretation of the paintings of Conchita by Marco Baragli. Her paintings will be shown on a screen during the one-hour concert of Trinity of Sound.
More about the concert

Next week, experience the premiere of Trinity of Sound—an exclusive concert where music and visual art converge. Witness Marco Baragli on flute, soprano Laura Ansaldi, and pianist Alexey Botvinov, accompanied by the visual interpretations of Conchita De Palma and Véronique Gray, at Sala Baldini in Rome on October 23rd at 7:00 PM.
Step into a realm where music and imagery meet, creating a vivid journey of emotion and visual harmony.





