Art
Marco Baragli’s The Trinity of Sound: Where Music Meets Symbolism
An Exclusive Conversation About His Newest Project with Acclaimed Soprano Laura Ansaldi
Marco Baragli
1. Marco, how did the idea for The Trinity of Sound come to you? Was there a particular moment or experience that sparked it?
The idea for The Trinity of Sound emerged from a long and thoughtful reflection, nourished by my experience as a scholar of symbolism. Over the years, I have given lectures and published articles in academic journals on this subject, exploring how symbols act as bridges between the visible and the invisible—between sound and meaning.
I proposed to Laura Ansaldi the creation of a program that would not be merely musical, but one with a profound symbolic structure—capable of intertwining written music and text with the hidden meanings they contain. I wanted each element to carry a message, a revelation.
From this vision came the concept of a musical “trinity”: three performers—flutist, soprano, and pianist—each embodying, in their own way, the three Persons of the Divine Trinity.
- The voice , entrusted to the soprano, reveals the meaning of things, just as God the Father revealed Himself to the people of Israel. It is the Word made audible.
- The piano , through the touch of its keys, represents the Son, Jesus Christ. The pianist’s gesture—touching the key that strikes the string—is a symbol of the Son’s transformative action upon the human heart.
- The flute is breath—long associated with the Holy Spirit. It is the invisible element that unites, blending the love of the Father and the Son, like the breath that gives life and animates music.
This symbolic framework guided every artistic choice in the project, transforming The Trinity of Sound into an experience that is not only aesthetic, but also spiritual and contemplative.
Flutist Marco Baragli and Soprano Laura Ansaldi
2. Why did you choose Laura for this project? What made her the right voice to represent the soul in this symbolic journey?
Laura and I have known each other for several years through various collaborations. Our first was Ave Maria by Sandro Fazzolari—a piece also featured in this program, rich with symbolism of the feminine as both Virgin Mary and sinner. We also performed together in Basel at the Stadt Casino, which was another highlight in our shared journey.
Laura is the perfect voice for this program. She is not only an outstanding soprano but also an artist of great sensitivity and versatility—particularly well-suited to the intimate and nuanced nature of chamber music. Her voice is ideal for a program that both demands technical precision and expressive depth.
Our strong personal connection, and her lineage as the niece of Professor Corsini—one of Italy’s most important symbolists—made this collaboration feel natural and meaningful. I am truly honored to dedicate this project to Laura’s uncle, whose intellectual legacy continues to inspire.
The Trinity of Sound The Journey Begins
3. How did you and Laura approach building the program? Was it a joint effort from the beginning, or did the concept develop individually before becoming a shared vision?
The creation of the program was a fluid and deeply collaborative process. I initially proposed the idea, and Laura embraced it with immediate enthusiasm. Her connection to the project was instinctive and profound, making our work together even more inspiring.
The symbolic and narrative structure of the program was developed by me, but Laura played a vital role in shaping its final form. Her suggestions and insights were integrated with great openness. Beyond the musical domain, she also contributed significantly to the visual identity of the project—including imagery, graphic materials, and custom logos. Her artistic sensitivity and broad experience ensured that The Trinity of Sound would take shape in a coherent and refined way.
Like all meaningful collaborations, ours found a natural balance—between action and reflection, proposal and revision. Laura and I alternated roles, listened closely to each other, and built something that truly represents both of us.
Laura is an extraordinary musician who combines technical mastery with emotional expressiveness and artistic intelligence. Working with her is always a pleasure—she is present, proactive, and generous. Our long-standing friendship added a layer of authenticity to our collaboration.
And of course, her connection to Professor Corsini gave the project an additional symbolic weight. Dedicating The Trinity of Sound to his memory is my tribute to his enduring influence on symbolic thought in Italy.
I am also grateful that the record label I work with— Kicco Music in Milan —fell in love with the project and is supporting it wholeheartedly.
Marco Baragli is an Italian musician and scholar with degrees in Theology, Philosophy, and Flute. An acknowledged expert in symbolism, he was for several years a member of the Association of European Symbolists. His academic work includes numerous articles for prestigious journals, and his writings have been cited in internationally significant publications, as certified by Academia.edu. In 2023, Marco Baragli had the honor to perform at the Coronation of King Charles III in England — a historic event witnessed across the globe.
Laura Ansaldi is an esteemed Italian soprano known for her versatility in lyrical, spinto, and coloratura roles, with 15 years of international experience. She has performed with leading orchestras including the Sofia Philharmonic, Madrid Symphony Orchestra, and New York Chamber Orchestra. Recognized for transforming recitals into immersive artistic experiences, Ansaldi combines classical excellence with dynamic stage presence. In 2024, she was awarded the Platinum Medal by France’s Arts-Sciences-Lettres Academy. In June 2025, she celebrated a major milestone with her debut at Carnegie Hall in New York.
